Saturday, August 5th |
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| Viewing - 8:30 am Main Sale - 10:00 am | |
| Eleanor Pew Morris Memorial Arena, Pig Loop Rd., Chester, NS | |
Page 1 of 4 |
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| Lot | Description |
| 1 | A Tiffany & Co. sterling silver mug chased with swags and leaves, c.1890, 3 1/2" high |
| 2 | A Victorian lap box with mother of pearl inlay |
| 3 | A Regency rosewood tea caddy on bun feet, the caddy with its two original tea boxes, the exterior brass inlaid with ring handles, c.1820 |
| 4 | "Chalet in Winter" & "Winter Birches" by Graham Norwell, signed, watercolours on paper, 6 1/2" x 10" and 7" x 9" |
| 5 | An envelope-form mahogany games table, c.1900 |
| 6 | An English porcelain tea cup and saucer, c.1830 |
| 7 | Two miniature Moorcroft Pottery vases, one with orchids, the other with pansies, both impressed with a Royal Warrant and facsimile signature, 3" high |
| 8 | An English, sterling silver, child's three piece cutlery set in a Barber & Smith fitted box by George Adams, London 1874 |
| 9 | "Lunenburg Harbour" by John Cook, signed & dated bottom left, signed & titled verso, oil on board |
| 9a | "Forgotten Pond" by John Cook, signed, oil on board, 9" x 12" |
| 10 | A mahogany drop leaf Pembroke table, English, c.1800. 28" high, 32" long, 39 1/2" wide |
| 11 | "Autumn - Simpsons Corner (near Bridgewater)" by R. Bishop, signed and dated '65, oil on board, 16" x 20" |
| 12 | A Cartier sterling silver goblet, the bowl gilt, signed on base, c.1960 |
| 13 | "The Assumption", a late 18th or early 19th century needlework textile, 11" x 8" |
| 14 | "Fish Wharves" by Marguerite Zwicker, signed, watercolour on paper, 6 1/4" x 8 3/4" |
| 15 | A late 19th century mahogany frame chaise with knurled feet, c.1890 |
| 16 | "Afterglow Peggy's Cove" by Tom Dickson, initialled, dated 1987 verso, oil on board, 12" x 16" |
| 17 | A white painted miniature horse, Quebec, 19th century |
| 18 | A Tiffany sterling silver match safe, hand hammered, c.1890 |
| 19 | An English oak hall table, 18th century |
| 20 | A George III mahogany washstand, the drawers with ivory pulls and string inlay, c.1800 |
| 21 | "Autumn Sunshine" by Leroy Zwicker, signed, oil on board, 12" x 16" |
| 22 | A George III sterling silver vinaigrette with gilt grill and interior, the exterior chased with flowers, Birmingham, probably 1810 or 1835, maker T & WS |
| 23 | "Boy Reading a Book" a marble figure, 19th century, 16" high |
| 24 | "The Corner Store" by Tom Roberts, ARCA, OSA, signed, oil on board, 8" x 12" |
| 25 | A Victorian mahogany canterbury, c.1860 |
| 25a | A mahogany tilt top table with a large ring turned column on a tripod base, c.1800. Diameter 27 1/4" with the grain & 27 3/4" against the grain |
| 26 | "Killing a Shark", a hand coloured print "Published and Sold March 1st, 1813, by Edward Orme, Bond St., London" |
| 27 | Four French faience plates, 19th century |
| 28 | A Birks sterling silver flower vase, 14" high |
| 29 | "Fundy Village" by Helen Weld, NSA, signed, oil on board, 11 1/2" x 16" |
| 29a | "Dead Trees, Stave Lake, B.C." by Toni Onley, signed, watercolour, 10" x 14" |
| 30 | A mahogany wine table with balustered column and tripod base, c.1820 |
| 31 | "Practise Sessions" by Alan Wylie, signed, graphite, 15" x 13" |
| 32 | A Tiffany & Co. sterling silver bowl on ball feet |
| 33 | An Arts & Crafts iridescent green glass vase, c.1900, 8 1/4" |
| 34 | "Hunter with Seal" by Timothy Nayoumealook, Inukjuak, signed, black soapstone carving, approx. 13" x 15" |
| 34a | An Inuit soapstone carving "Walrus" by Andre Poisey, Kimmirut, 12 1/2" long |
| 34b | An Inuit soapstone carving "Man and Bird Spirit" by Tutuiya Qatsiya, Dorset Fine Arts, 1221m Dorset, 13" high |
| 34c | An Inuit soapstone carving "Protecting the Family" by Mathewsie Asheval, Cape Dorset |
| 35 | A George II style armchair with needlepoint back and seat cover, 19th century, 43" h, 29" w, 22 1/2" d. |
| 36 | A Grandfather clock case with brass works, the painted dial signed 'E. Morris Albrighton', the oak and mahogany case with various inlay, 77"h. |
| 37 | A Victorian mahogany games box with two lift out trays, the top one containing a cribbage board, checkers set, dice and a full set of checkers, the second tray for cards, above a partial steeple chase game and miniature gavel, the box with two drawers which fold out to reveal a full set of wooden chess men, the box containing a chess board, maker Enlih, c.1865 |
| 37a | An Edwardian gentleman's smoking stand in the form of a billiards table |
| 38 | An Art Nouveau ceramic vase with gilt leaves and handles marked 'Turn Vienna, Made in Austria' |
| 39 | "Yachts at the Entrance to the North West Arm", by Joseph Purcell, signed, watercolour on paper, 19 1/2" x 27 1/2" |
| 40 | An 19th century Asian cabinet with two drawers above a central cupboard over a cabinet with drop down door, 36 w., 39 h., 13 1/2 d. |
| 41 | "Wall of Ivy N.S" by S.M. Zuckerberg, oil on board, 9" x 12" |
| 42 | A Georg Jensen sterling silver sauce ladle |
| 43 | A silk textile, the Gala Performance Programme dated July 7th, 1903, from the Royal Opera, Covent Garden, together with a flag commemorating Queen Victoria's diamond jubilee year 1897 |
| 44 | "At Water's Edge" by Earl Bailly, signed, oil on board, 16" x 20" |
| 45 | A set of six William IV mahogany chairs, c.1835 |
| 46 | "Lunenburg Harbour with First Snow" by Earl Bailly, N.S.A., signed, oil on canvas, 24" x 30" |
| 47 | An English sterling silver soup ladle by Hester Bateman, London, 1785 |
| 48 | A Scottish sterling silver tablespoon, Edinburgh 1819, maker JMC |
| 49 | "Old Pine" by Arthur Lloy, signed, dated 1970, oil on board, 8" x 10" |
| 50 | A Nova Scotia grain painted lectern with tapered column on decorative tripod base, c.1860, 53" high |
| 50a | A pair of 19th century European armchairs with caned seats |
| 51 | "Winston Churchill, Bermuda" by (Lady) Sarah Churchill, coloured silk screen on paper, signed in pencil, # 171 of an edition of 300, 20" x 24" |
| 52 | A silver wine taster, French, 19th century, marked, initialed E.C. |
| 53 | A California glass vase signed Mark Hartung |
| 54 | "A Forest Scene" by Albert Cloutier, signed & dated 1958, oil on board, artist's studio stamp on back, 19 1/2" x 23 1/2" |
| 55 | A William IV mahogany one drawer desk with turretted corners, reeded legs and Prince of Wales feathers on drawer pulls, c.1835 |
| 56 | "Woodland Road near Cap a l'Aigle" by James Lillie Graham, RCA, signed and dated 1934, oil on board, 8" x 10" |
| 57 | A French three piece garniture set, the gilt bronze clock case decorated with putti and hand painted porcelain plaques, c.1860 |
| 58 | "The Reverend Irwin Campbell", a miniature portrait on paper, c.1830, 4 1/2" x 3" |
| 59 | "East Berlin N.S" by John Cook, signed & titled verso, oil on board, 20" x 30" |
| 60 | A 19th century, French, three piece boudoir set comprising a small chaise and two side chairs, the chaise and chair backs with double layer caning, the frames with various floral and decorative carving |
| 61 | "Playboats Roundstone" by Adrian Dingle, signed, oil on board, 10" x 16" |
| 62 | A Tiffany & Co. sterling silver basting spoon, c.1920 |
| 63 | "Quebec from Levis P.Q" by Robert Wakeham Pilot, a dry point etching, signed and titled in pencil, 3" x 4 5/8" Note: There is a Christmas greeting on the back signed 'from the Cullens' |
| 64 | "Venice" by Robert Wakeham Pilot, signed, drawing in ink on paper, 6" x 6 3/4" |
| 65 | "The Old Quebec" by Robert Wakeham Pilot, pencil drawing, 6 1/4" x 7 1/4", with Gerard Gorce and Manuge Gallery labels on back |
| 65a | A Philadelphia mahogany highboy top, c.1760, converted to a chest of drawers with a shell carved top drawer flanked by two small drawers over four drawers with reeded pilasters, retaining two original brasses |
| 66 | "In Rockport Harbour" by George Horne Russell, signed, oil on board, 9 1/2" x 13" |
| 67 | A Noke Royal Doulton plate 'Zunday Zmocks', signed Noke on front and marked on back 'D5680, Regd. Australia' |
| 68 | A late Victorian silver plate candelabra by Elkington, in elaborate organic form with six brachia and central sconce, 29 1/2" high |
| 69 | "Brandy Lake" by Arthur Lloy, signed, oil on board, painted while on a fishing trip in the spring of 1958, 20" x 28" |
| 70 | A pair of mahogany D-end tables with turned, reeded, legs, c.1820 |
| 71 | "Malvina Village - Tyrol" by Francois Barbarini, signed, dated 1863 verso, oil on board, with Continental Galleries of Fine Art, Montreal, label on back, 8 3/4" x 12 3/4" |
| 72 | A set of A. Michelsen enameled and gilt teaspoons together with an enameled pair of sugar tongs |
| 73 | An A. Michelsen sterling silver anointing spoon, and an early 20th century reproduction of a medieval spoon |
| 74 | "The Three Mills" by William Rip, signed, oil on board, with Watson Gallery, Montreal, label on back, 10" x 14" |
| 75 | A Venetian mirror with raised panels engraved with flowers and berries |
| 76 | "Village Scene" by E. M. Lara, RBA, oil on canvas, with Continental Galleries of Fine Art, Montreal, label on back, 10" x 18" |
| 77 | A set of leather bound books by William Thackeray |
| 78 | A Victorian book caddy with floral and leaf brass mounts |
| 79 | "Inland Sea of Japan" by John Hammond, signed, dated bottom right, titled, signed & dated with paper label verso, on mahogany panel, 5 1/2" x 8 1/2" |
| 80 | A Victorian papier mache table, c.1850, the octagonal top decorated with a Chinese scene including mother of pearl inlaid buildings, a Chinese junk and exotic trees. Top 21" x 16" |
| 80a | A Halifax banquet table D end, together with a drop leaf centre section on ring turned legs, c.1820 |
| 81 | "Wood Bros. Dry Goods, Halifax, c.1890" by Dusan Kadlec, oil on board, signed, 9" x 12" |
| 82 | A pair of Georg Jensen sterling silver salts with acorn handles, a pickle fork & two spoons |
| 83 | A Kazak rug, c.1890, 54" x 110" |
| 84 | "Lifting Fog" by Frank Drummond Allison, signed, oil on canvas, 20 1/4" x 26 1/4", exhibited RCA (1938), CNE (1940 & 1943), Pan-Am (1945), etc. De-accessioned by the IBM Corp., this painting represented New Brunswick in their collection, it is illustrated in the accompanying booklet which gives a brief history of the collection and the exhibition |
| 85 | A double pedestal campaign desk, c.1860 |
| 86 | An Anglo Indian games table with inlaid mother of pearl motifs and marquetry banding, the turn top with a baize covered gaming surface which opens to reveal a game compartment for backgammon and chess, late 19th century, 32 1/4" h, 36 3/4" w, 35 1/2" sq. when open, |
| 87 | A late 19th century Turkish rug, 63" x 59". Some oxidation |
| 88 | A George III mahogany cheese wheel stand, c.1790 |
| 89 | "LeHave Isles (Bush Island)" by John Cook, signed & titled verso, oil on board, 18" x 24" |
| 90 | A Nova Scotia secretary bookcase, c.1870, custom crafted for a leading political and military figure of the time from a selection of Nova Scotian fine woods. Provenance: By descent in family. |
| 91 | "Battleship at Sea" by Jack Gray, signed and dated 1943, oil on board, 9" x 17". Provenance: From Jack Gray to present owner's father |
| 92 | A paperweight with floral interior, late 19th or early 20th century |
| 93 | A Moorcroft Pottery Orchids vase with impressed marks including facsimile signature and Royal Warrant, 6" high |
| 93a | A Moorcroft Pottery vase, "Natural" pattern, in blue, 11" |
| 94 | "Winter Dusk" by Ross MacCulloch, signed and dated 1979, oil on board, 12" x 18" |
| 95 | A mahogany banquet table with centre pedestal, the D ends with turned and tapered legs on brass castors, possibly Canadian, c.1820, 43" wide, 90" long, 28 1/2" high |
| 96 | "Landscape with Tree Forms" by Arthur Lloy, signed and dated '65, oil on board, 20" x 24" |
| 97 | A Moorcroft flambe Anemone pattern lamp, impressed Moorcroft mark and Royal Warrant, circular paper label, 13" high not including base |
| 98 | A Moorcroft Pottery Orchids vase with impressed marks including facsimile signature and Royal Warrant, 6" high |
| 99 | "Beach Bums" by Alan Wylie, oil on board, signed, 20" x 30" |
| 100 | "Ocean View" by Leonard Lane, signed, oil on canvas, with Manuge Galleries Label, 26" x 36" |
| 101 | "Lochil from the ????" by Duncan Cameron, signed, oil on canvas, 20" x 30" |
| 102 | A Georg Jensen sterling silver cake slice, together with a pair of Jensen sterling-handled rose shears |
| 103 | "Cobbers" a bronze sculpture depicting two Australian soldiers, one with a rifle, the other poised to throw a grenade. Signed 'Anderson, 1930' in base, 7 3/4" high (not including the marble base) |
| 104 | "Shore Study" by Arthur Lloy, signed, dated 1973, oil on board, 8" x 10" |
| 105 | A Victorian mahogany dining table with swept legs and knurled feet on brass and ceramic castors, 50" wide, approx 101" long |
| 105a | A set of ten mahogany William IV dining chairs with fitted seats, floral carved centre back rail, two armchairs with rolled arms, c.1835 |
| 105b | A Victorian sideboard with galleried back, c.1850 |
| 106 | "Ward's Brook, NS" by Mabel Killam Day, NSA, signed, oil on canvas, 25" x 30" |
| 107 | A Penguin-form cocktail shaker in silver plate by Napier, early 20th century, 12" high |
| 108 | "The Pipe Player" a gilded bronze statue, signed Feuchere, Foundry Vittoz, France, 19th century |
| 109 | A portrait of a young boy, American school, c.1875, Boston, oil on canvas, the canvas from M. J. Whipples, Cornhill, Boston, 27" x 22", in gilt frame |
| 110 | A pair of Louis XIV style, shell carved and gilt drawing room chairs, 48" h., 22" w., 21 1/2" d., height at front 17 1/2" |
| 111 | "Silver Light" by Jose Weiss, signed, oil on canvas, 17" x 24" |
| 112 | Misc. Tiffany sterling teaspoons and salt spoons along with a single salt, c 1910 (7) |
| 113 | A William IV sterling silver vinaigrette with gilt foliate grill and interior, Birmingham 1835 |
| 114 | "Coal Miners Returning Home" (England), oil on canvas, 24" x 18", the canvas from George Rowney, Piccadilly, London |
| 115 | A 16th century English provincial armchair with shaped and carved back rails and rush seat, 41" h, 21 1/2" w, 8 1/2" d |
| 116 | An Arts & Crafts style vase with impressed Doulton mark, signed F.C.P., with a Sotheby's "The Harriman Judd Collection" label on base, 8 1/4" |
| 117 | A Doulton Lambeth faience vase, floral decorated by A. E. Thatcher, c.1885, with a Sotheby's "The Harriman Judd Collection" label on base, 9 1/2" |
| 118 | A Doulton Lambeth Impasto-Ware ovoid form vase dated 1883, with incuse maker's marks, with a Sotheby's "The Harriman Judd Collection" label on base, 11" high |
| 119 | "Bear Cove, Old Fish Shack" by Arthur Lloy signed, dated July '63, oil on board, 20" x 24" |
| 120 | "Margherita", a marble bust of a young woman in Pre-Raphaelite style, 17 1/2" high |
| 120a | A mahogany Sheraton love seat, early 19th century |
| 121 | A late 19th century marble display pedestal, 41" high |
| 122 | Misc. gilt enamelled sterling tea spoons, an enamelled sterling salt and a mushroom-form pepper, Norway (10) |
| 123 | A Goldscheider chalk ware figure of a black boy, c.1900, 20" high |
| 124 | "Cathedral Peak, Patterson Inlet, Baffin Island" by Anthony C. Law, NSA, signed, oil on canvas, 36" x 40", Zwicker's Gallery, Halifax label |
| 125 | A 19th century camel back love seat, 44" wide |
| 126 | "Marvin's Island" by Tom Forrestall, signed and dated 1986 verso, egg tempera on board, 17" x 17 3/4" |
| 126a | "Blue Rocks, Lunenburg County" by Joseph Purcell, oil on board, an earlier work, 24" x 36" |
| 127 | A 19th century cup with elongated, curved handle, the bowl carved with flowers and vines, 10" long |
| 128 | A Royal Crown Derby porcelain figure of an eagle, painter's initials J.B. on base, 10" high |
| 129 | "Family on the South Beach; Sable Island" by Alan (Al) Chaddock, signed, oil on linen, 33" x 40" |
| 130 | A Venetian gilt framed mirror, late 18th or early 19th century, 47" high, 23" wide |
| 131 | "A Welsh Village" by Arthur Tucker, R.B.A., signed, watercolour, 24" x 36" |
| 132 | Three Georg Jensen gilt sterling silver spoons with enamelled floral decoration, d.1973, 1975, 1976 |
| 133 | Seven A.Michelsen gilt sterling silver spoons by various contemporary designers incl. Bjorn Wimblad and Spang Olsen Yuletide: 1970, ' 71, ' 72, ' 73, ' 74, ' 76,' '77. |
| 134 | "Summer Camp Stage Fort Park, Gloucester, Mass." by R. S. Bacon, signed and dated '44, oil on canvas, 20" x 24" |
| 135 | A 19th century Sevres terracotta figure of an errant schoolboy, signed on base, Gregoire |
| 136 | A mahogany pedestal stand with rope turned column, late 19th century |
| 137 | A sampler by Eleanor Dulhaney, dated 1819 |
| 138 | An English sterling silver two-handled cup by Hester Bateman, London 1787 |
| 139 | "Under Winter's Spell" by Manly MacDonald, RCA, OSA, signed and dated Xmas 1939, oil on board, 10 1/2" x 13 3/4" |
| 140 | A pair of French armchairs with rope turned arms, carved figural hand rests, trestle bases and close nailed leather backs and seats, 19th century |
| 141 | "Halifax Harbour at Sunset" by Dusan Kadlec, signed, oil on board, 12" x 16" |
| 142 | William Spratling sterling silver including four salts, three salt spoons with rosewood handles, plus a sterling silver cake slice and a ladle both with rosewood handles |
| 143 | A 19th century Imari vase as a lamp, the vase mounted on a gilt bronze base, the base decorated with putti and shells, 20" high |
| 144 | "Coming Home" by James Lillie Graham, RCA, signed and dated 1946, oil on board, 9" x 11" |
| 145 | A George III mahogany double pedestal dining table with string inlay and banding, the reeded legs with acanthus-form brass capped feet on castors, 55" long, 40" wide, 28 1/2" high with a 23" leaf |
| 146 | "Morning after Snow (Halifax)" by Giovanni Gerometta, signed & dated '81, oil on board, 5 1/2" x 9" |
| 147 | "Warm December Snow (Halifax)" by Giovanni Gerometta, signed & dated '81, oil on board, 5 1/2" x 9" |
| 148 | A Tudor Prince Oyster Date 25-jewel, rotor winding wristwatch in gold plate case |
| 149 | A Tudor Prince Oyster Date, rotor winding wristwatch in stainless steel case |
| 150 | A lady's Dugena wristwatch in sterling silver case with a sterling silver mesh bracelet |
| 151 | A lady's geometric design necklace in 18k gold, 24" long |
| 151a | A late-Victorian lady's 15ct. gold brooch and pendant necklace set with seed pearls and peridot |
| 152 | A gentleman's wristwatch in an 18k gold case with silvered dial |
| 153 | A lady's 10k gold rope-turned chain, 30" long |
| 154 | A string of graduated pearls with a 14k gold clasp, the clasp diamond and sapphire set, 19" long |
| 154a | A gentleman's Rolex Oyster wristwatch engraved Brevet 6244 on the outside of the case, with gold numerals & hands |
| 155 | A Palma gentleman's Swiss Chronograph wristwatch, 17 rubies, in stainless steel case with stop watch feature |
| 156 | A C Joulus 17 Rubies jewelled wristwatch with stop watch feature in Swiss 18k gold case |
| 157 | A gentleman's Rolex wristwatch in stainless steel case with gold hands & numerals |
| 158 | A gentleman's tank form wristwatch in a 14k gold case |
| 159 | A Rolex Air King Oyster perpetual movement gentleman's wristwatch with stainless steel deployment strap |
| 160 | A Gentleman's Rolex Superlative Chronometer Oyster perpetual date, officially certified wristwatch with gold hands, face and bezel and gold and stainless steel strap, in original Rolex mahogany lined case with Rolex box |
| 161 | An Oyster Essex shock resistant wristwatch in stainless steel case |
| 161a | A Rolex wristwatch with luminous hands and 24 hour dial in stainless steel case |
| 162b | A gentleman's Omega wristwatch with black face and 24 hour dial in stainless steel case |
| 162 | A Moorcroft Pottery flambe Anemone pattern lamp, c.1950, impressed Moorcroft mark and Royal Warrant, circular paper label, 13" high not including plinth |
| 163 | A pair of 19th century gilt mounted urn form candelabra with a four branch gilt brachia, the urns with leaf and vine mounts, the bases with various gilt decoration, c.1860 |
| 164 | "Ships in Gloucester Harbour" by Robert Harris, signed, titled on back 'Gloucester U.S.A', oil on board, 5 1/2" x 7 1/2". Provenance: By descent from the Estate of a daughter of a former Premier of Prince Edward Island |
| 165 | A Chippendale style mahogany frame sofa with ribbon back splats, c.1780 |
| 166 | "Bonsecours Market, Montreal" by Paul Archibald Caron, ARCA, pastels, 7 1/2" x 9", certified by Lorraine Caron Pilot (daughter), Klinkhoff Gallery, Montreal, label verso |
| 167 | A miniature portrait of a child holding a rabbit by Robert Harris, unsigned, in original frame, c.1890, 4" x 2 3/4". Provenance: By descent from the Estate of a daughter of a former Premier of Prince Edward Island |
| 168 | A Clement Massier, Golfe Juan, tall standing urn form vase in brown lustre paint with hand painted floral decoration, 19 1/2" h. |
| 169 | "The Sea at Green Bay (Lun. Co.)" by John Cook, signed & titled verso, oil on board, 18" x 24" |
| 170 | A mahogany tea table with carved, scalloped edge on a reeded, balustered column, with feather-carved legs and ball and talon feet, 29" high, 29 1/2" x 29 1/4" top |
| 171 | "Low Tide" by Kelsey Raymond, signed, oil on board, 18" x 24" |
| 172 | A pair of Kang Hsi style vases by Samson decorated with armorials, c.1920, 9 1/2" h. |
| 173 | A very good Nova Scotia sea chest, the inside lid painted with a compass star and scrolls of leaves, c.1840 |
| 173a | A 19th century game board |
| 174 | "A Bit of Nova Scotia in Drifting Fog" by Mabel Killam Day, NSA, signed, oil on canvas, 25" x 30", exhibited CNE (1940) plus many other venues (several labels verso). De-accessioned by the IBM Corp., this painting represented Nova Scotia in their collection, it is illustrated in the accompanying booklet which gives a brief history of the collection and the exhibition |
| 175 | A Chinese elmwood chest with mother of pearl decoration and butterfly motif lock plate, 19th century, 70" h., 48" w., 20" d |
| 176 | "Rail Line, Nova Scotia" by Donald Curley, signed and dated July '71 verso, oil and acrylic on board, 16" x 20" |
| 177 | A Cristofle three piece Art Nouveau silver plate garniture set in rococo style, late 19th century |
| 178 | An L & G Stickley oak rocking chair with brand mark on back lower stretcher |
| 178a | A Stickley Bros. Quaint Furniture oak armchair with 'Quaint Furniture' metal label; the chair with its original leather seat cushion and back, retaining its original finish |
| 179 | "Nova Scotia Woodlands (Halifax County)" by John Cook, signed and dated 1973-7, signed & titled verso, oil on board, 15" x 20" |
| 180 | A 19th century Japanese Kimono stand in lacquer, decorated with gilt floral spandrels, 47" high, 54" wide |
| 180a | A Federal flame maple four drawer chest, the drawers flanked by tiger maple half columns, c.1810 |
| 181 | "Roses for Aunt Maria, Feb 17th 1887" by George Herzog, signed, oil on mahogany panel, 12 1/2" x 16 1/2" |
| 182 | An exquisite tortoise shell tea caddy spoon with reeded bowl, the handle with a sailor work compass star, c.1780 |
| 183 | A Victorian silver plate centrepiece in the form of palm trees, on a mirrored silver plate base |
| 184 | "Fillet of Sole" by Mike Hayes, oil on board, signed, dated '77 verso, 19" x 27" |
| 184a | "Majestic Iceberg, Northern Baffin Bay" by Anthony Law, signed, titled and dated March 1979 verso, oil on Belgian linen canvas, 24" x 30" |
| "Meandering Glacier" - Paterson Inlet, Baffin Island, N.W.T. by Anthony Law, signed, titled and dated December 1978 verso, oil on Belgian linen canvas, 24" x 30" | |
| 185 | A 19th century table top writing desk, the slant front and sides inlaid with marquetry work urns, birds, flowers and leaves |
| 186 | "Vieilles Maisons, Ste-Famille Ile d'Orleans" by Horatio Walker, RCA, coloured pencils, 5 1/2" x 7 ", Estate stamp, certified by Clarence Gagnon, Zwicker's Gallery, Halifax label |
| 187 | A set of four English Delft plates, 18th century, 9" diam. |
| 188 | An art glass bowl, c.1950, possibly Italian |
| 189 | "Cattle Tantramar Marsh" by John Hammond, signed & titled verso, oil on artist's board, 9" x 19" |
| 190 | A good, Nova Scotia, tiger and bird's eye maple two drawer stand on ring-turned and tapered tiger maple legs with ball feet, c.1830 |
| 190a | A Davenport, 'Montreal' pattern, plate, 8 1/2" diameter |
| 191 | "Early Morning (Dingle)" by Giovanni Gerometta, signed & dated, oil on canvas, 24" x 30" |
| 192 | A Mi'Kmaq oval quill box, c.1910, the top with diamond and fan design, the sides with chevron pattern. This box, which is in exceptionally good condition, is the former property of a Canadian senator. 7" long, 3 1/2" high |
| 193 | A native beadwork hanging urn, c.1890, possibly Mohawk |
| 194 | "October Swamp" by Arthur Lloy, signed, dated '69, oil on board, 6"x 8" |
| 195 | A New Brunswick, two drawer over four drawer, bird's eye maple chest with a heart cut out, shaped skirt and half columns under reeded capitals, Miramichi, c.1840 |
| 196 | "Winter, Dover, NS" by John Cook, signed and dated 1957, oil on board, 10" x 12" |
| 197 | A Charles Noke Royal Doulton flambe vase decorated with an English cottage and a field with daises. Signed Noke on the base impressed 7788, 7 1/2" high |
| 198 | "The Clipper Flying Cloud", a scrimshandered whale's tooth with a ship's portrait and a portrait of Donald McKay, shipbuilder, on the reverse, 5 1/4" high |
| 199 | "Pate a la Rapure, The Rappie Pie" by Nelson Surette, signed, oil on board, 24 3/4" x 40", with a Confederation Art Gallery and Museum exhibition sticker, an Art Gallery of Nova Scotia, Coburg Rd., label, a Gallery Quan label dated 1978 and an Imperial Oil Collection bar code sticker |
| 200 | A Regency mahogany sofa table with two drawers and alternating dummy drawer fronts, c.1810 |
| 201 | "Saint John Harbour" by Jack Weldon Humphrey, CGP, CSPWC, signed and dated 1942, watercolour, 15" x 22" |
| 202 | A Tiffany sterling silver flatware set for ten in Richelieu pattern, the set comprising 10 dinner knives, 10 dinner forks, 12 luncheon forks, 12 cake forks, 6 shrimp forks, 8 serving spoons, 10 soup spoons, 12 dessert spoons, 11 teaspoons, 6 demi tasse spoons, 6 butter spreaders, 10 grapefruit spoons, 1 berry spoon, 1 serving fork, approx. 115 pieces. Total weight 176 ozs., excluding knives |
| 203 | A Victorian Sheffield Plate wine cooler, c.1845 |
| 204 | "The Gunilda" by Tomaso de Simone, signed, dated 1910, chalk and gouache on board, 17" x 25 1/2". The Gunilda, a luxury steam yacht, the flagship of the New York Yacht Club, was owned by oil baron William Harkness |
| 205 | A Sheraton mahogany secretary bookcase with astragal, glazed doors, on a four drawer base with French foot, the top drawer fitted with drawers and pigeonholes, the drawer face releasing to form a desk. Various string inlay. Replaced brasses, c.1810 |
| 206 | "The Young Family" by Eric Goldberg, signed, oil on board, 24" x 20", Dominion Gallery, Montreal, label |
| 207 | Lot to appear |
| 208 | A platinum set diamond ring with a four claw principal setting and sloping side settings, the ring set with one round brilliant cut diamond weighing approx. 2.70 cts, clarity: SI-1, colour: I-J; and two tapered baguette cut diamonds measuring approx. .70 cts in total. Current Birks appraisal with $44,000 replacement value |
| 209 | "Cauldron's Edge # 11" by Ron Bolt, signed and dated, ' 77 verso, oil on canvas, 32 1/2" x 25 1/2" |
| 210 | A Nova Scotia corner cupboard with rounded back, c.1820. Provenance: By descent in the family home until its removal in June, 2006 |
| 211 | "Moose & Seagulls by a Busy Nova Scotia Harbour" by Joe Norris, signed, oil on board, c.1973, an early work by in a Joe Norris painted frame, 27" x 43" |
| 212 | A sailor's valentine, c.1890. Condition: a few loose shells, contained in box frame. Right box with cracked glass |
| 212a | A cane with carved ivory handle |
| 213 | A silver plate tea urn, c.1880 |
| 214 | "An Austrian Landscape" by L. Fedlek, signed and dated 1875, oil on canvas, 25" x 46" |
| 215 | "Friends" by Donald Curley, signed, oil on canvas, 30" x 40". Note: This painting, originally titled "Friends", was selected by Ducks Unlimited for their 2006 calendar. Three of Mr. Curley's works were chosen over 900 other artists who submitted their work. Ducks Unlimited titled the print of the two bears "Wake-up Call" |
| 215a | "The Red Coat" by Donald Curley, signed, oil on canvas, 30" x 40" |
| 216 | A lady's Art Deco style 14k yellow and white gold diamond ring set with three old European cut diamonds surrounded by 32 old European cut diamonds, 1.30 carats total weight |
| 217 | A lady's, custom made, 14k white gold, diamond-set, bow-form brooch |
| 218 | A lady's 14k yellow and white gold emerald and diamond-set Art Deco ring |
| 219 | "Indian Woman with Baskets and Quill Box" and "Coureurs du Bois", in the style of Cornelius Kreighof, two miniature watercolours on paper, c.1875, 5 1/2" long |
| 220 | A late 17th/early 18th century two door cupboard on a two door base, the top with leaf carving and the base with half and three quarter columns at the corners |
| 221 | "Racing Dories" by Joe Norris, signed, dated 1983, oil on canvas, the reverse painted "Skaters on a Pond", a double-sided canvas in Norris decorated frame, 26" x 29 1/2" including frame |
| 222 | A pair of Japanese porcelain lamps, the basket weave bases decorated with leaves and gilt bamboo corners |
| 223 | A 19th century ship's diorama of the brigantine IDA and tug ANN, approx. 18" x 21" overall |
| 224 | "Pont-y-Pair" by Frank M. Chase, signed, watercolour on paper, exhibited at the Royal Academy 1890, 22" x 36" |
| 225 | A George III sideboard |
| 226 | "Village Scene" by Francois B. deBlois, Canadian/American, signed, oil on canvas, 12 3/4" x 18 3/4" |
| 227 | A lady's custom made platinum and diamond Art Deco brooch containing 50 old European cut diamonds. 5.44 carats total weight. Replacement value $6,700 |
| 228 | Salvador Dali, an artist's proof print from The Divine Comedy Series, signed in pencil. Provenance: Gallery 1667 |
| 229 | Salvador Dali, an artist's proof print from The Divine Comedy Series, signed in pencil. Provenance: Gallery 1667 |
| 230 | A 19th century marble bust of a Grecian woman, 22" high |
| 231 | A 19th century marble stand in tapered plain form, 39 1/2" high |
| 232 | A set of eight 19th century Chinese Export bowls decorated with birds, insects and fruit |
| 233 | Two Chinese Export dishes, one decorated with butterflies and lotus, c.1850, 8 1/4" diam; the other a famille rose dish decorated with bird and butterflies, c.1800, 9 1/2"diam. |
| 234 | Two 19th century Chinese Export plates, 8 1/2" diam. |
| 235 | A late 19th century Caucasian carpet, possibly Shirvan |
| 236 | "Portland Head Light, Casco Bay, Cape Elizabeth" by G. M. Hathaway, signed, oil on board, 6" x 10" |
| 237 | Two 19th century Chinese Export plates |
| 238 | A late 19th century grouping of Chinese Export silver including a pierced flower bowl with maker's mark T.C., a pair of salts with maker's mark T.S., tea bowl, saucer and under plate. Probably Hong Kong or Singapore. This lot together with 8 miniature, chased, mother of pearl panels |
| 239 | "Winter Hillside" by Arthur Lloy signed, dated 1963, oil on board, 8" x 10" |
| 240 | A 19th century Italian armchair with carved and pierced back and hoof feet |
| 241 | "The Venetian", a ship's portrait, oil on board, signed, 13" x 21 1/2" |
| 241a | "The Avonport" by B. R. Wilson, signed, watercolour and gouache on paper, c.1930 |
| 242 | A Persian Kerman rug, c.1915, 9' x 11' |
| 243 | Three pieces of Paul Petersen sterling silver: a footed bowl, a hammered cigarette box and a candlestick |
| 244 | A Birks, 1829 pattern, Original Hallmarked, three piece sterling silver tea set. 62 ozs. total weight |
| 245 | A Clement Massier jardiniere with stand, the jardiniere decorated with lion's masks and the base decorated with griffins |
| 245a | A Lunenburg County style step back cupboard with graduated shelves, the frame work with cut out hearts and a similarly carved skirt, 19th century |
| 246 | "The White Sugarhouse Quebec" by Douglas Elliott, signed, oil on masonite, 10" x 16" |
| 247 | An opalescent covered glass bowl with Iris form cover, the base and cover both signed Etling France |
| 248 | A Lalique covered dresser jar decorated with vines, grapes and birds, the cover and base both signed |
| 249 | "March" by Arthur Lloy, signed, dated 1978, oil on board, 14"x18" |
| 250 | A mahogany library desk with alternating real and dummy drawers, on reeded, tapered legs on brass castors, c.1850 |
| 251 | "Autumn" Trees by Graham Norwell, watercolour on paper |
| 252 | A 19th century bisque figure of a Buddha (Hoti famille jaune) on an Asian carved stand |
| 253 | A 19th cent marble bust of a Grecian woman, 18" high |
| 254 | A Gorham sterling silver flatware set for twelve in Melrose pattern, approx. 86 pieces. 84 oz. total weight, excluding knives |
| 255 | A mahogany tea table with a fluted and balustered column on a tripod base, c.1820 30 1/4" x 30" |
| 255a | A George Lumsden brassworks clock, the dial signed 'George Lumsden, Pittenweem' in a mahogany case, c.1825, lacking pendulum and weights. Note: Pittenweem is located on the east coast of Fyfe, near St. Andrews, the home of golf |
| 256 | "Halifax Harbour c.1800" by Dusan Kadlec, signed, oil on board, 20" x 30" |
| 257 | A Chinese embroidered silk panel from a mandarin robe, c.1900, 32 1/2" x 29" |
| 258 | A Chinese embroidered silk panel from a mandarin robe, the panel with three dragon motif, two in gold metal thread, c.1900, 21 1/2" x 37" |
| 259 | A hand knotted oriental carpet, late 19th/early 20th century, probably tribal, 50" x 77" |
| 260 | A Victorian mahogany cupboard on bun feet, the door as four false drawers with wooden pulls |
| 261 | "Girl Listening By Curtain", a Victorian oil on canvas, 9" x 7" |
| 262 | A Caucasian Shirvan rug, c.1910, 6' x 3' 10" |
| 263 | "Diogenes, In search for an honest Man", a bronze figural ink stand, France, unsigned, 19th century, 13" high |
| 264 | "Duncan's Shoal, Near Halifax, NS" by Wm. de Garthe, signed and dated 1943 verso, oil on board, 7" x 9" |
| 265 | "Off Chebucto Head, Halifax Peninsula, Duncan's Shoal" by Wm. de Garthe, signed and dated 1949 verso, oil on board, 7" x 9" |
| 266 | A Birks sterling silver flatware set for eight in Louis XV pattern, he set comprising eight dinner forks, eight luncheon forks, six cake forks, twelve tablespoons, eight bouillon spoons, twelve grapefruit spoons, seven dessert spoons, ten teaspoons, twelve demi tasse spoons, six butter knives, nine dinner knives, two serving spoons, one sauce ladle, one cheese knife, one cake knife, one carving knife and one carving fork, one vegetable server and a pair of silver handled salad servers, approx. 120 pces., 108 oz. weighable silver |
| 267 | A parian ware figurine of a Grecian woman with urn |
| 268 | An English sterling vinaigrette as a purse with a grill, gilt interior, Birmingham 1819. Maker, Joseph Wilmore |
| 269 | "A Corner of the Lake (Green Bay)" by John Cook, signed and dated, signed & titled verso, oil on board, 15" x 29" |
| 270 | A 19th century gilt mirror frame with a floral pediment, beaded arch, candle shelves, with carved fern decoration. Label on back, 47"h. |
| 271 | An Arthur Pequegnat grandfather clock with signed brass works and a label for Berlin Ontario, in an Arts & Crafts case |
| 272 | A Turkish Kazak rug, 3' 3" x 6' 2" |
| 273 | An "historiata" hand painted Florentine vase depicting the birth of Florence, c.1875 |
| 274 | "Birches by a Lake" by Marguerite Zwicker, signed, watercolour on paper, 14" x 17" |
| 275 | An Eastlake parlour table |
| 275a | A mahogany dropleaf table with reeded leg and banded skirt, c.1810 |
| 276 | "Schooners at Sail" by Joseph Purcell, signed, watercolour on paper, 15 1/2" x 20" |
| 277 | An English sterling silver ladle with shell-form bowl, London 1795, maker SH |
| 278 | An English sterling silver stuffing spoon, London 1796, maker TN, with lion crest |
| 279 | "Feathered Fear" by Susan Wood, signed, mixed media, watercolour, pencil, etc. on paper, 10" x 7 3/4" |
| 280 | "Tristan and Isolde", a bronze garden statue, 47" high |
| 281 | "George's Island from Citadel Hill, c.1890", by Dusan Kadlec, signed, oil on canvas, 12" x 16" |
| 282 | A lady's 14k gold diamond-set cluster ring |
| 283 | A lady's 14k gold necklace, 18" long |
| 283a | A three strand necklace of graduated pearls with garnet and seed pearl side clasp |
| 284 | "Chester Races" by Marguerite Zwicker, signed, watercolour on paper, 11" x 15" |
| 285 | A Victorian mahogany stand with carved figural and balustered column |
| 286 | "Schooner at Rest" by Joseph Purcell, signed, watercolour on paper, 18" x 26" |
| 287 | A brass bound, English mahogany decanter box fitted with three decanters, c.1820 |
| 288 | Four French faience plates, 19th century |
| 289 | A hand knotted oriental bag face, c.1900, 24" x 27" |
| 290 | A Victorian dining table |
| 291 | "Red Autumn" by Arthur Lloy, signed and dated 1984, oil on board, 40" x 48" |
| 292 | "St. Malo" by Marion Russell, signed and dated 1888, a painted porcelain plaque, 10" x 6" |
| 293 | "Amalfi" by Marion Russell, signed and dated 1888, a painted porcelain plaque, 10" x 6" |
| 294 | A Royal Worcester "Sabrina Ware" jardiniere in the Arts & Crafts style, decorated with trees, with registration mark for 1902 |
| 295 | A set of six mahogany kidney backed chairs branded "Douglass Morash Chester Nova Scotia" |
| 296 | "Running Before a Squall" by Joseph Purcell, signed, oil on board, 39 1/4" x 29 1/4" |
| 297 | "The Winnipeg", a ship's diorama, c.1900, 16" x 24" |
| 297a | A ship's diorama, c.1890 |
| 298 | A floral painted china perfume bottle with sterling top, c.1890 |
| 299 | "Old Nova Scotia Farm" by John Cook, signed & dated bottom left, watercolour on paper, 9 1/2" x 13" |
| 300 | A mahogany double pedestal sideboard with leaf carved back, c.1840 |
| 300a | A William IV dresser mirror |
| 301 | "Hilltop, Country Harbour Crossroads N.S." by Arthur Lloy, signed, dated 1962, oil on board, 18" x 24" |
| 302 | A lady's 14k gold, emerald and diamond-set ring |
| 303 | An Edwardian gentleman's lot including a 10k gold pen knife, a 9ct gold propelling pencil with cornelian and a 15ct gold cigar cutter |
| 304 | "Early Spring" by Thomas Garside, signed, chalk on paper, 16" x 19" |
| 305 | A Federal style gilt, gesso and wood mirror frame with eagle pediment, the frame containing a convex looking glass, c.1820 |
| 306 | "Morning Light - Peggy's Cove" by Tom Dickson, signed, oil on canvas, 18" x 24" |
| 307 | An Hispano-Moresque majolica plate, 19th century, 9" diam. |
| 308 | An Arts & Crafts sterling necklace set with cabochon and drop amethysts |
| 309 | "The City Buildings of Kingston" by Nicholas Hornyanski, signed in pencil and titled, etching, 8" x 6 1/2" |
| 310 | An armchair with bobbin turned legs and hand rests, Quebec, c.1860 |
| 311 | "Alpine Cottage" by Albert Meindl, signed, oil on board, 15" x 19" |
| 312 | A pair of .800 silver bird-form salts, c.1890 |
| 313 | An ivory hat pin carved with orchids and various flowers capped with a moonstone, signed, Japanese, c.1890 |
| 314 | A genre painting of a naturalist, signed Robt. Thom…???, London, stretcher stamp: Pat.1886", 22" x 26" |
| 315 | A George III mahogany tea table with baluster column and tripod feet, reduced in size |
| 316 | "The Tradouw Pass" by Edward Roworth, signed, oil on canvas board, 30" x 20" |
| 317 | A Staffordshire figure of Admiral C. Napier, c.1840, 16" high |
| 318 | A mid-Victorian lady's needlepoint frame on adjustable base |
| 319 | "Maloy's Barn" by Evan MacDonald, oil on board, 16" x 20" |
| 320 | A European mahogany armchair with close nailed leather seat, broad shaped arms and carved back, "anno 1772" carved on back. Restorations |
| 321 | A sterling silver tea pot, William MacKenzie, Edinburgh 1823, 20 ozs. |
| 322 | A Tabriz hand knotted carpet, 12' 10" x 9' 10" |
| 323 | A gentleman's 18k gold neck chain, 21" long, 48.8 gms |
| 324 | A portrait of a lady by Jef Louis Van Leemputten, signed and dated 1899 upper right, oil on canvas, unframed, 18" x 14 1/2" |
| 325 | A six branch crystal chandelier, approx. 36" high |
| 326 | "Italian Mountaineer" by Edith Smith, NSA, signed, oil on board, 12" x 14 1/2" |
| 327 | A Val St. Lambert crystal bowl with swirled, fluted sides |
| 328 | A Studio Rhus modern glass bowl, Sweden, c.1985 |
| 329 | "Birches by a Path" by H. Linder, signed, pastel on paper, 13" x 31" |
| 330 | A set of three mahogany chairs with urn and serpent form back splats, c.1845 |
| 331 | "Trees by a Stream" by Edith Smith, signed, acrylic on paper, 18" x 21 1/2" |
| 332 | A Moorcroft Pottery Hibiscus pattern covered bowl with impressed signature, 4 1/4"diameter |
| 333 | A Moorcroft Pottery Spring Flowers pattern covered bowl with impressed signature and round "Royal Warrant" paper label, 4 1/4" diameter |
| 334 | "Goldfinch" by Glen Loates, signed, working drawing with # 2 print, pencil on paper |
| 335 | A Moorcroft Pottery Coral Hibiscus vase with impressed signature and "Appointment to the Late Queen Mary" label, 8" high |
| 336 | A Moorcroft Pottery Coral Hibiscus bowl with green signature, impressed marks and remnants of "By Appointment" label |
| 337 | A pair of Chinese blue and white vases decorated with dragons, c.1920, the vases converted to lamps |
| 338 | A pair of gilt bronze wall sconces |
| 339 | A Lorenzen blue glazed dish in scallop shell form |
| 339a | A Lorenzen dish with fluted edge and purple glaze |
| 340 | A Lorenzen green glazed bowl with crimped top, 7" diam. |
| 341 | A Lorenzen vase, the stoneware glaze with blue-grey design, 8 1/2" high |
| 342 | A late 18th/early 19th century Chinese Export porcelain tankard, the handle with stylized heart, 6 1/4" high |
| 343 | A lady's 14k gold large link bracelet and matching brooch, marked 'handarbeit .585', 65.6 gms |
| 344 | A Museo Cantonale d'Arte 'Architectura' poster, 50" x 36" |
| 345 | A Nova Scotia Gothic-form armchair, c.1870 |
| 346 | A Museo Cantonale d'Arte 'Kandinsky' poster, 50" x 36" |
| 347 | A lady's 14k gold drop pendant necklace set with two diamonds, approx. 35 pts each and smaller diamonds |
| 348 | A 14k gold ring with square cut sapphire flanked by two diamonds |
| 349 | A Museo Cantonale d'Arte 'Botta Cucchi' art poster, 50" x 36" |
| 350 | A Chippendale style, ten piece, carved mahogany dining room set comprising double pedestal dining table, six ribbon back chairs, china cabinet, sideboard and buffet |
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